сhronofest
28.05—07.06.2026

Magda Toffler or an Essay on Silence

Boris Nikitin

October 1943: Heinrich Himmler gathers all the Gauleiters of the Reich in the Polish city of Poznan to inform them of the regime's decision to completely exterminate the Jewish population of Europe. Before he does so, however, Himmler has two phonographs set up in front of everyone in order to record the speech on two guard records. However, contrary to what most people assume, it is not Himmler's words that are to be recorded, but the silence in the hall.

With "Magda Toffler" - the second work in which he himself takes to the stage - Boris Nikitin drills deep into the hidden layers of the European 20th century. As in "Essay on Dying", the staging is reduced to just a few elements: a chair, a manuscript and Nikitin himself.

"Magda Toffler or an essay on silence" premiered in October 2022 at "steirischer Herbst" and was invited to the "Impulse" festival as one of the ten outstanding independent theater works of 2022.

Language
English with Armenian and Russian subtitles
Duration
75 min

Team

  • Сoncept, text, performanceBoris Nikitin
  • Production managementAnnett Hardegen
  • Ouside-eyeAnnett Hardegen, Matthias Meppelink

Production

A coproduction with It’s The Real Thing, steirischen herbst 22, Staatstheater Nürnberg Kaserne Basel, Ringlokschuppen Ruhr, Théâtre Vidy Lausanne, HAU - Hebbel am Ufer Berlin, Frascati Amsterdam, Theater Chur, Omanut.

With the support of Fachausschuss Tanz & Theater der Kantone Basel-Stadt und Basel-Landschaft, Pro Helvetia, Stanley Thomas Johnson Stiftung.

The first draft of this work was commissioned by Omanut.

About the artists

Boris Nikitin

Boris NikitinAuthor

Boris Nikitin, born in Basel, Switzerland and the son of Ukrainian-Slovakian-French-Jewish immigrants, is a theatre director, author and curator of the biennial festival "It’s The Real Thing – Basel Documentary Platform".

For over thirteen years, his productions, texts and happenings have been dealing with the representation and production of identity and reality. They are border crossings between illusion theatre and performance, between documentary and propaganda. Nikitin's works, many of which tour internationally, are raw, frontal, yet always precisely composed and always searching for the boundaries and breaking points of the aesthetic. "Like few others, Boris Nikitin is currently leading theatre to a critical point," writes the German professional journal "Theater heute". The Zurich daily newspaper "Tagesanzeiger" writes: "The Basel director pushes the genre of documentary theatre to its limits." In his last plays and texts, Nikitin increasingly deals with the relationship between art and illness.